MusiqueCeltiqueV1, Main, Exploration, bibRecord, 000174

Irish Revivalism: Critical Trends and New Directions

Identifieur interne : 000174 ( Main/Exploration ); précédent : 000173; suivant : 000175

Irish Revivalism: Critical Trends and New Directions

Auteurs : Gregory Castle

Source :

Literature Compass [ 1741-4113 ] ; 2011-05.

RBID : ISTEX:158394C971E6B3ED1174F6CA6AAA238454CA2A2D

Descripteurs français

Wicri :
- topic : Identité nationale, Partis politiques.

English descriptors

KwdEn :
- Abbey theatre, Alternative modernity, Ancient worship, Arizona state university, Author literature compass, Bardic, Bardic texts, Blackwell, Blackwell publishing, California press, Cambridge university press, Celtic revival, Celtic twilight, Colin smythe, Critical purchase, Critique, Cultural meaning, Cultural nationalism, Cultural performance, David lloyd, Declan kiberd, Dialectical, Dialectical logic, Dublin, Duffy, English language, Fanon, Gaelic, Gaelic league, George russell, Historical error, Historical knowledge, Historical record, House organ, Irish, Irish ireland, Irish language, Irish literature, Irish movement, Irish orientalism, Irish people, Irish renaissance, Irish revival, Irish revivalism, Irish subjects, Irish times, Irish university review, Lady augusta gregory, Literary revival, Literary revivalists, Literary theory, Literature compass, Many others, Mathews, Misrecognition, Modern ireland, Moran, National identity, National literature, National reconstruction, National theater, Negative critique, Other hand, Oxford university press, Padraic pearse, Particular place, Political education, Political emotion, Political parties, Reading rooms, Religious revivals, Revisionist ends, Revival, Revivalism, Revivalist, Revivalist discourse, Same time, Seamus deane, Sinn fein, Synge, Syracuse, Syracuse university press, Trinity college, Trope, Yeats.
Teeft :
- Abbey theatre, Alternative modernity, Ancient worship, Arizona state university, Author literature compass, Bardic, Bardic texts, Blackwell, Blackwell publishing, California press, Cambridge university press, Celtic revival, Celtic twilight, Colin smythe, Critical purchase, Critique, Cultural meaning, Cultural nationalism, Cultural performance, David lloyd, Declan kiberd, Dialectical, Dialectical logic, Dublin, Duffy, English language, Fanon, Gaelic, Gaelic league, George russell, Historical error, Historical knowledge, Historical record, House organ, Irish, Irish ireland, Irish language, Irish literature, Irish movement, Irish orientalism, Irish people, Irish renaissance, Irish revival, Irish revivalism, Irish subjects, Irish times, Irish university review, Lady augusta gregory, Literary revival, Literary revivalists, Literary theory, Literature compass, Many others, Mathews, Misrecognition, Modern ireland, Moran, National identity, National literature, National reconstruction, National theater, Negative critique, Other hand, Oxford university press, Padraic pearse, Particular place, Political education, Political emotion, Political parties, Reading rooms, Religious revivals, Revisionist ends, Revival, Revivalism, Revivalist, Revivalist discourse, Same time, Seamus deane, Sinn fein, Synge, Syracuse, Syracuse university press, Trinity college, Trope, Yeats.

Abstract

Irish Revivalism is one of the most influential and most often misunderstood movements in the late 19th century. Though a form of cultural nationalism and often regarded as a form of anti‐colonial resistance, it has long been criticized for complicity with various forms of academic and political discourse connected with the British imperial state. It has also been criticized for the role played by Anglo‐Irish Literary Revivalists like W. B. Yeats, J. M. Synge and Lady Augusta Gregory. Finally, Irish Revivalism has long been understood as possessing a naïve and nostalgic view of the past, one that hides a desire to restore and preserve a pristine pre‐colonial Celtic culture. All of these criticisms have some merit if applied to individual works. However, a critical examination of Revivalist discourse at large reveals a much more complex historical imagination, one that seeks, through a dialectical logic of misrecognition to correct historical misrepresentations and to use the past in a critical, tactical fashion, to forge an Irish nation and national identity. This is as true of Anglo‐Irish as it is of Gaelo‐Catholic Revivalists, for both groups were trying, in very different ways, to correct historical misrepresentations of the Irish people and to achieve national independence.

Url:

https://api.istex.fr/document/158394C971E6B3ED1174F6CA6AAA238454CA2A2D/fulltext/pdf

DOI: 10.1111/j.1741-4113.2011.00796.x

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 000059
to stream Istex, to step Curation: 000059
to stream Istex, to step Checkpoint: 000060
to stream Main, to step Merge: 000173
to stream Main, to step Curation: 000174

Le document en format XML

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<term>Misrecognition</term>
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<term>Moran</term>
<term>National identity</term>
<term>National literature</term>
<term>National reconstruction</term>
<term>National theater</term>
<term>Negative critique</term>
<term>Other hand</term>
<term>Oxford university press</term>
<term>Padraic pearse</term>
<term>Particular place</term>
<term>Political education</term>
<term>Political emotion</term>
<term>Political parties</term>
<term>Reading rooms</term>
<term>Religious revivals</term>
<term>Revisionist ends</term>
<term>Revival</term>
<term>Revivalism</term>
<term>Revivalist</term>
<term>Revivalist discourse</term>
<term>Same time</term>
<term>Seamus deane</term>
<term>Sinn fein</term>
<term>Synge</term>
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<term>Bardic</term>
<term>Bardic texts</term>
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<term>Blackwell publishing</term>
<term>California press</term>
<term>Cambridge university press</term>
<term>Celtic revival</term>
<term>Celtic twilight</term>
<term>Colin smythe</term>
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<term>Critique</term>
<term>Cultural meaning</term>
<term>Cultural nationalism</term>
<term>Cultural performance</term>
<term>David lloyd</term>
<term>Declan kiberd</term>
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<term>Dialectical logic</term>
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<term>Fanon</term>
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<term>Irish orientalism</term>
<term>Irish people</term>
<term>Irish renaissance</term>
<term>Irish revival</term>
<term>Irish revivalism</term>
<term>Irish subjects</term>
<term>Irish times</term>
<term>Irish university review</term>
<term>Lady augusta gregory</term>
<term>Literary revival</term>
<term>Literary revivalists</term>
<term>Literary theory</term>
<term>Literature compass</term>
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<term>Mathews</term>
<term>Misrecognition</term>
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<term>Moran</term>
<term>National identity</term>
<term>National literature</term>
<term>National reconstruction</term>
<term>National theater</term>
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<term>Other hand</term>
<term>Oxford university press</term>
<term>Padraic pearse</term>
<term>Particular place</term>
<term>Political education</term>
<term>Political emotion</term>
<term>Political parties</term>
<term>Reading rooms</term>
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<term>Revisionist ends</term>
<term>Revival</term>
<term>Revivalism</term>
<term>Revivalist</term>
<term>Revivalist discourse</term>
<term>Same time</term>
<term>Seamus deane</term>
<term>Sinn fein</term>
<term>Synge</term>
<term>Syracuse</term>
<term>Syracuse university press</term>
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<front><div type="abstract" xml:lang="en">Irish Revivalism is one of the most influential and most often misunderstood movements in the late 19th century. Though a form of cultural nationalism and often regarded as a form of anti‐colonial resistance, it has long been criticized for complicity with various forms of academic and political discourse connected with the British imperial state. It has also been criticized for the role played by Anglo‐Irish Literary Revivalists like W. B. Yeats, J. M. Synge and Lady Augusta Gregory. Finally, Irish Revivalism has long been understood as possessing a naïve and nostalgic view of the past, one that hides a desire to restore and preserve a pristine pre‐colonial Celtic culture. All of these criticisms have some merit if applied to individual works. However, a critical examination of Revivalist discourse at large reveals a much more complex historical imagination, one that seeks, through a dialectical logic of misrecognition to correct historical misrepresentations and to use the past in a critical, tactical fashion, to forge an Irish nation and national identity. This is as true of Anglo‐Irish as it is of Gaelo‐Catholic Revivalists, for both groups were trying, in very different ways, to correct historical misrepresentations of the Irish people and to achieve national independence.</div>
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Irish Revivalism: Critical Trends and New Directions

Irish Revivalism: Critical Trends and New Directions

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri